
Extensions Extensions allow users to easily add functionality to their Opera browser, as well as share most APIs with the Chromium extension model.
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When a download begins, a pop-up and a button will appear at the top-right area of the interface to show the download progress. It also keeps the history of downloaded files and allows opening the files-or the folder where the file has been downloaded to-from within the browser. Users can also access recently closed tabs from other devices synced to their Opera account, including tablets and phones.ĭownload manager Opera allows its users to pause, resume, or restart the transfer of files. Closed tabs can be recovered in the reverse sequence in which they were closed, by default this is achieved via the keyboard shortcut Ctrl + Shift + T.

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My drag is a part of that.Currently supported features Access recently closed pages Opera allows its users to retrieve all of the tabs or windows closed earlier in the current session from a list. “I can’t speak with her, but I do think about creating space for that relationship in different ways. “There’s silence involved there, because my mother’s passed,” says Velour, whose mother lost her hair to chemotherapy. Velour recalls speaking to Negrón about their experiences with mothers – Velour keeps her head shaved, and often performs without a wig, in tribute to her mother – about care and of all the ways relationships can be formed in gestures and silence. Negrón and Velour wrote it together, around the theme of mother-daughter relationships. The Island We Made does share one important aspect with traditional opera - an enormity of feeling. In fact, the character we see isn’t even singing – in characteristic drag fashion, Velour is lip-synching to the voice of an unseen singer, the musician Eliza Bagg. To some, The Island We Made may not look or sound like opera there is no storyline in the video, filmed by Matthew Placek, or point at which a singer belts their feelings out to the rafters.


“Just the immensity and the confidence of them, unapologetic, taking up space, for me was really impactful as a child to have around,” Negrón says. Negrón says that her mother had many friends who were drag performers, so high glamour and high drama were regular parts of her childhood. The music was written by composer Angélica Negrón, who grew up in Puerto Rico in the ’80s. The lyrics are repetitive: my lungs, your voice, you made me, you fed me. The Island We Made is a lullaby about mothers, an homage to the labor of childrearing. Sasha Velour stars in The Island We Made, an opera composed by Angélica Negrón and filmed in a mid-century Staten Island house.ĬREDIT: Matthew Placek/Courtesy of the artist

We see it augmenting our in-real-life performances.” Opera Philadelphia has been using its new digital channel to try and expand the canon of contemporary opera, featuring work from Black composers like Tyshawn Sorey and Courtney Bryan, and Latina composers like Angélica Negrón, who composed the company’s newest from the project, The Island We Made, which debuts today. “For that reason, we don’t see it going away. We needed to make this artistic expression that lived in its own right digitally,” says David Devan, the company’s general director. “Our focus was not doing a pandemic Band-Aid. In response, they started creating original works written for the camera, to be shared and viewed online as part of an ongoing effort to bring a wider range of voices into the repertory. Opera Philadelphia has, of course, spent the last year unable to stage live works in theaters. LISTEN BY PETER CRIMMINS, PHIL HARRELL & NINA KRAVINSKY
